Regarded as one of the best actresses of her generation, she is known for her portrayals of quirky, headstrong characters, for which she has garnered numerous accolades , including a Tony Award , two Primetime Emmy Awards , and three Academy Awards for her acting, in addition to a fourth Academy Award as producer, making her one of the few performers to achieve the " Triple Crown of Acting ". She has been married to Joel Coen of the Coen brothers since In , she starred as a hardened woman seeking justice for her daughter's murder in the crime-drama film Three Billboards Outside Ebbing, Missouri , which won her a second Academy Award for Best Actress. In , she starred in the acclaimed independent drama film Nomadland , earning a third Academy Award for Best Actress and, as one of the film's producers, the Academy Award for Best Picture. Her wins for Nomadland made her the first person in history to win Academy Awards both as producer and performer for the same film, the second woman in history to win Best Actress three times, [2] and the seventh performer overall to win three competitive Academy Awards in acting categories. McDormand made her Broadway debut in a revival of the drama Awake and Sing! Because McDormand's father specialized in restoring congregations, [10] he frequently moved their family, and they lived in several small towns in Illinois , Georgia , Kentucky , and Tennessee , [13] before settling in Monessen, Pennsylvania , where McDormand graduated from Monessen High School in In , she made her film debut in Blood Simple , the first film by her husband Joel Coen and brother-in-law Ethan Coen. In addition to her early film roles, McDormand played Connie Chapman in the fifth season of the television police drama Hill Street Blues , and appeared in a episode of The Twilight Zone.
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Welcome to British Vogue. This site uses cookies to improve your experience and deliver personalised advertising. You can opt out at any time or find out more by reading our cookie policy. Barely an inch of flesh was revealed, but instead, high-waisted slippery trousers, a popped collared shirt and a neat, square lapelled evening jacket — all in peachy nude silk satin — concealed the model. A clever draping technique used on pencil skirts and narrow trousers afforded garments a sensuality without carrying bulk one of those clever knacks picked up at the Chambre Syndicale de la Couture Parisienne, no doubt. Transparency played peek-a-boo with sheer pearlescent chiffon T-shirts worn over dresses. A middle passage that riffed on the same shapes in citrine and black prevented the whole offering becoming too wishy-washy, but essentially it was the palest of the pale that will be remembered here. Hash is an old master of imbuing clothes with romance; she began her career with a small wedding dress business, so it makes sense for her to do unabashed softness now and then.
Amazing! Nothing Like It Ever!
Frances Elena Farmer September 19, — August 1, was an American actress and television hostess. She appeared in over a dozen feature films over the course of her career, though she garnered notoriety for the various sensationalized accounts of her life, especially her involuntary commitment to psychiatric hospitals and subsequent mental health struggles. A native of Seattle , Washington, Farmer began acting in stage productions while a student at the University of Washington. After graduating, she began performing in stock theater before signing a film contract with Paramount Pictures on her 22nd birthday in September She followed this with two Broadway productions directed by Elia Kazan in , but a battle with depression and binge drinking caused her to drop out of a subsequent Ernest Hemingway stage adaptation. Farmer returned to Los Angeles, earning supporting roles in the comedy World Premiere and the film noir Among the Living In , publicity of her reportedly erratic behavior began to surface and, after several arrests and committals to psychiatric institutions, Farmer was diagnosed with paranoid schizophrenia.
A revelation when it was released in , presented in CinemaScope, glorious Eastman Color and a — in properly equipped theaters — stereophonic soundtrack, topped off by better special effects than had ever graced the silver screen and finally a story that was absolutely ridiculous, yet resonating, powerful and grand. In all but box office receipts that is. This made it difficult enough to recoup the cost, but it suffered additionally under its misconstrued ad campaign.